Sunday, 13 October 2013

Celebrities, i bow down to your bravery: Take Two

When you look at the public personas of celebrities, dating back to as early as the 50’s or 60’s, you can definitely see the difference in publicising their personal lives. At first, it was the biggest deal if a celebrity is seen without their make-up and casual clothes. Now, celebrities post pictures THEMSELVES on their Twitter account or Facebook, doing ordinary things, which previously was almost considered a scandal! Like Marshal (2010) says, ‘Through new media forms, greater portions of the populace are now constructing online public personas’ (Marshal 2010, p.498). Of course, it is not just celebrities that were once mindful of their actions on social media. Average people like you and me are culprits of altering their virtual self to appear differently to the public. After all, we do not want to make a bad impression of ourselves for everyone to see. But while we are still conscious of ourselves, the people who tend to keep the most private, meaning our celebrities, are beginning to show the world that they are just normal people like everyone else.



Looking at my personal favourite artists on Twitter and Instagram, I can now see things that I would never have seen. Unless, of course, you count those ridiculous three page spreads in a magazine, emphasising the ‘downfalls’ in the celebrity going to the grocery shops looking like a normal human being.  I recently started following Patrick Stump, lead singer of Fall Out Boy. He, like his other band members post pictures of professional matters such as concerts and interviews. But I can also see things such as pictures from their harmless fun at parties to more personal images such as pictures with their partners, being lazy in their pyjamas and everyone’s favourite, no make-up! If you ask my opinion, I don’t think it is a big deal. It is refreshing and it shows that the artist has no shame in being a real person.


However, Page (2011) wrote a statement questioning speaker authenticity on Twitter. Page (2011) suggests in their work that the celebrities we see online are still not being their true selves, regardless of how personal the post may be. She writes ‘unlike the Friend networks on Facebook, where the members usually know each other in the offline world and where authenticity is strongly encouraged, there is no guarantee that the celebrity tweets are written by celebrities themselves’ (Page 2011, p.97). She continues on to say that it seems as though teams of people write tweets for the celebrity. This statement poses many difficulties.  Firstly, she is suggesting that celebrities are not really being their true selves, fooling the public into thinking that celebrities are finally opening up to show the world they are average people. But most importantly, she is suggesting that peoples personas on Facebook are real and our ‘friends’  on Facebook truly know the identity of the person they interact with online, which is the exact opposite of my argument.


But what is the point of calling someone a ‘real person’ if they are going to use their online profiles to be dishonest?  I have seen this occur in so many cases on Facebook, so many in fact, that it seems almost ridiculous to say that I even know the person anymore. But in the cases where I have known the person for years and I know their true self, I then compare their online profile to my knowledge, and I know that they are lying. Every person has the right of privacy, however, when the online profile of the person is completely different to their real self, you start to question their honesty and decency. I, like many others, use my Facebook to interact with people I know. But isn’t it unfair to say ‘This is my Facebook. This is my life. This is me’, when your ‘friends’ only get to see half of what you are actually doing in your life? Does it make you two-faced?


I can already think of thousands of examples of people I have as friends on Facebook and I know that their online identity is untrue. One example is twin girls I know who I met through a Twin club when I was a toddler. Being a twin myself, I know how online identities and interaction between the siblings can be represented one way, when to be honest, the personalities and interactions of the twins offline can vary to such a degree. Both girls love to show their love, affections and playfulness to each other to all of their friends and family. But having been on holidays with their family and knowing them since I was three years old, I know that those two fight like cat and dog! To further explain, one of the twins is very girly, open, rebellious and wild. The other is quite shy, mysterious, but when she gets comfortable, she becomes more open. But when I look at both of their Facebook profiles and status updates, they share similarities. Both girls do not share many photos and they treat each other in a respectful manner. However, the open twin posts many things about how she is feeling, while the other twin shares funny memes and comments on posts. Similarly, my twin and I are the same. My twin is more open on Facebook while I mostly share memes and random thoughts. To conclude, most people, not even twins, show their true identities on social media. In saying all of this, I’m not denying the fact that I keep some things in my life private. I do not have anything to be ashamed about. But there are some things which the world does not need to know.


To further prove my point, research conducted by Zhao ( ) supports my statements and experiences. Zhao (2008) conducted a study to investigate online identity construction on Facebook. Results showed that  ‘Facebook users sought to make certain implicit identity claims aimed at generating desired impressions on their viewers especially in terms of the depth and extent of their social ties’ (Zhao 2008, p.1825). The ‘About me’ section on Facebook was also used for the experiment. Results showed that most people kept the descriptions brief and vague. For example, one participant stated ‘What you see is what you get, 50% of the time’ (Zhao 2008, p.1826) and another said ‘It’s for me to know and for you to find out’ (Zhao 2008, p.1826). The amount of photos posted and profile picture choices were also examined. On average, users displayed 88.4 pictures with an additional average of 4.5 photo albums on the account. Most pictures were ‘group pictures, showing a user having fun with his or her friends’ (Zhao 2008, p.1827). Single person pictures were rarely seen.  Even profile picture photos did not show a single person. Only 42.9% of the users had a photo of just themselves, 38.1% showed two or more people in the picture, 14.3% showed an avatar and 4.8% had a blank profile picture. This study shows that there is more secrecy and privacy by users on online profiles more than that they show in real life situations.




Going back to celebrity personas in the virtual world, Page’s (2011) may very well be true about other people posting on behalf of the celebrity in some cases, but in others, it is quite clear that the celebrity is posting personal details out of their own will. The most recent example everyone can remember is the story of Angelina Jolie and her decision to have a double mastectomy. As the story goes, Jolie announced three weeks after her procedure that she had undergone surgery to remove both breast to improve her chances of developing breast cancer, since her chances were above 80%. She was the first person to tell the world of her news. Not the paparazzi, but Angelina. The news was released when she was ready, when she ‘decided to be proactive’ (Kluger et al 2013, p.1). There are any other stories where celebrities have announced their news without paparazzi speculation first. Celebrities are beginning to announce publicly topics such as marriage, pregnancy and tour plans without having to be interviewed first.
Lots of celebrities post things honestly to engage with their fans more, but I do question the purpose of social media for some celebrities.  Is everything they’re posting true? Is it pure? Or do they really just want to make more money? Well, Casserly (2013) seems to think so. She argues that celebrities are using social media to endorse products. She began to speculate after ‘Kim Kardashian's denied rumors she makes $10,000 a tweet’ (Casserly 2013, p.1). Regardless, I think celebrities just use social media to make more money. I feel that when I see a post by my favourite celebrities they are being genuine and honest

Celebrities are not the only people that have had a reputation of hiding their personal lives to the public. People like you and me most likely do the same. Celebrities, just like everyone else would like the opportunity to keep some information from their lives private. But many celebrities are now posting information or photos before the paparazzi can get a chance, or just in their own personal time because they want to share how they live an average life just like everyone else. It makes perfect sense to me. If I was a celebrity, I would probably do the same thing. I would get in before the paparazzi do. Joke’s on them.



 References
Casserly, M 2013, ‘What Does Celebrity Shilling Look Like In A Post-Snooki Age? Adly Speaks Up’, Business Source Complete
Kluger et al 2013, ‘The Angelina Affect’, Time, vol.181, no.20, retrieved 22 September 2013, http://ehis.ebscohost.com/ehost/detail?sid=4fa7f3cc-7398-4b0e-bf7e-28d4bb6557a7%40sessionmgr104&vid=1&hid=102&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#db=a9h&AN=87708475
Marshal 2010, ‘The Specular Economy’, Society, vol.47, no,6, retrieved 22 September 2013, https://d2l.deakin.edu.au/d2l/le/content/143750/viewContent/1985498/View
https://www.google.com.au/search?hl=en&site=imghp&tbm=isch&source=hp&biw=1241&bih=584&q=angelina+jolie+double+mastectomy&oq=angelina+jolie+dou&gs_l=img.1.0.0l10.4684.9968.0.12668.18.16.0.2.2.1.304.2415.4j6j5j1.16.0....0...1ac.1.27.img..6.12.1194.TFYLwO-WOgo#hl=en&q=patrick+stump+pyjamas&tbm=isch&imgdii=_

Page, R 2011, ‘Stories and Social Media: Identities and Interaction’, Taylor and Francis

Zhao et al 2008, ‘Identity Construction on Facebook: Digital Empowerment In Anchored Relationships, Computers In Human Behaviour, vol.24, no.5, retrieved 6 October 2013, http://www.sciencedirect.com/science/article/pii/S0747563208000204

Sunday, 22 September 2013

Hollywoodisation in Kpop Music

Hollywoodisation… what is it? Well, once again I was listening to k-pop music. I decided to look at some of my most favourite music videos as well. Then it clicked to me. My definition of Hollywoodisation is when another country is westernising their music and movies. To be more precise, Klein (2004) describes the concept ‘Hollywoodisation’ and makes the point that Asian film industries are being ‘thoroughly integrated into them (American film industries) as local players at the levels of production, distribution and exhibition (Klein 2010, p.373)’. Although this quote talks about film industries, it can also apply to music.
Going through my k-pop songs, I noticed many things that could classify the Asian music industry as having gone through ‘hollywoodisation’. I have the original songs which are sung in Korean, but have a few English phrases thrown in. Then the songs are sung in complete English. And to top it off, remixes of the songs have been made to include popular American artists. To name a few, there is G-Dragons ‘Heartbreaker’ featuring Flo Rida, Girl’s Generations ‘The Boys’ featuring Snoop Dogg and Wonder Girls’ ‘Like Money’ featuring Akon. Collaborations have also been done with Will.i.am and B.o.B.
The video clips themselves are also not as ‘Asian’ as you think. They include things like flashy lights and the latest fashion while having their own spin such as dance routines (boy groups included). The music itself in Asia is very much ‘pop’. But now the music genres have even extended to hip hop and rap.
In summary, Hollywoodisation and Asianisation both involve the notion that ‘local cultures and global cultures powerfully interact (Ok 2009, p.45)’. in my opinion, as long as the music or film is entertaining, it does not matter what cultures are involved and who is taking over. Now, back to listening to my kpop…

References
Klein, Christina 2004, ‘Martial arts and globalisation of US and Asian film industries’, Comparative America Studies, vol. 2, no. 3, pp. 360-384. 
Ok 2009, ‘The Politics of the Korean Blockbuster: Narrating the Nation and the Spectacle of ‘Glocalisation’in 2009 Lost Memories’ received 22 Sepember 2013, http://cinema.usc.edu/assets/096/15620.pdf
Hollywoodisation… what is it? Well, once again I was listening to k-pop music. I decided to look at some of my most favourite music videos as well. Then it clicked to me. My definition of Hollywoodisation is when another country is westernising their music and movies. To be more precise, Klein (2004) describes the concept ‘Hollywoodisation’ and makes the point that Asian film industries are being ‘thoroughly integrated into them (American film industries) as local players at the levels of production, distribution and exhibition (Klein 2010, p.373)’. Although this quote talks about film industries, it can also apply to music.
Going through my k-pop songs, I noticed many things that could classify the Asian music industry as having gone through ‘hollywoodisation’. I have the original songs which are sung in Korean, but have a few English phrases thrown in. Then the songs are sung in complete English. And to top it off, remixes of the songs have been made to include popular American artists. To name a few, there is G-Dragons ‘Heartbreaker’ featuring Flo Rida, Girl’s Generations ‘The Boys’ featuring Snoop Dogg and Wonder Girls’ ‘Like Money’ featuring Akon. Collaborations have also been done with Will.i.am and B.o.B.

The video clips themselves are also not as ‘Asian’ as you think. They include things like flashy lights and the latest fashion while having their own spin such as dance routines (boy groups included). The music itself in Asia is very much ‘pop’. But now the music genres have even extended to hip hop and rap.
In summary, Hollywoodisation and Asianisation both involve the notion that ‘local cultures and global cultures powerfully interact (Ok 2009, p.45)’. in my opinion, as long as the music or film is entertaining, it does not matter what cultures are involved and who is taking over. Now, back to listening to my kpop…
References
Klein, Christina 2004, ‘Martial arts and globalisation of US and Asian film industries’, Comparative America Studies, vol. 2, no. 3, pp. 360-384. 
Ok 2009, ‘The Politics of the Korean Blockbuster: Narrating the Nation and the Spectacle of ‘Glocalisation’in 2009 Lost Memories’ received 22 Sepember 2013, http://cinema.usc.edu/assets/096/15620.pdf




Celebrities, i bow down to your bravery

 When you look at the public personas of celebrities, dating back to as early as the 50’s or 60’s, you can definitely see the difference in publicising their personal lives. At first, it was the biggest deal if a celebrity is seen without their make-up and casual clothes. Now, celebrities post pictures THEMSELVES on their Twitter account or Facebook, doing ordinary things, which previously was almost considered a scandal! Like Marshal (2010) says, ‘Through new media forms, greater portions of the populace are now constructing online public personas’ (Marshal 2010, p.498).

Looking at my personal favourite artists on Twitter, I can now see things that I would never have seen. Unless, of course, you count those ridiculous three page spreads in a magazine, emphasising the ‘downfalls’ in the celebrity going to the grocery shops looking like a normal human being.  Recently started following Patrick Stump, lead singer of Fall Out Boy. I can see things such as pictures from their harmless fun at parties, to more personal such as pictures with their partners, in their pyjamas, and everyone’s favourite, no make-up! If you ask my opinion, I don’t think it is a big deal. It is refreshing and it shows that the artist has no shame in being a real person.






The most recent example everyone can remember is the story of Angelina Jolie and her decision to have a double mastectomy. As the story goes, Jolie announced three weeks after her procedure that she had undergone surgery. She was the first person to tell the world. Not the paparazzi, but Angelina. The news was released when she was ready, when she ‘decided to be proactive’ (Kluger et al 2013, p.1).

Many celebrities are now posting information or photos before the paparazzi, or just in their own personal time. It makes perfect sense to me. If I was a celebrity, I would probably do the same thing. I would get in before the paparazzi do. Joke’s on them.

 References

Kluger et al 2013, ‘The Angelina Affect’, Time, vol.181, no.20, retrieved 22 September 2013, http://ehis.ebscohost.com/ehost/detail?sid=4fa7f3cc-7398-4b0e-bf7e-28d4bb6557a7%40sessionmgr104&vid=1&hid=102&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#db=a9h&AN=87708475
Marshal 2010, ‘The Specular Economy’, Society, vol.47, no,6, retrieved 22 September 2013, https://d2l.deakin.edu.au/d2l/le/content/143750/viewContent/1985498/View
https://www.google.com.au/search?hl=en&site=imghp&tbm=isch&source=hp&biw=1241&bih=584&q=angelina+jolie+double+mastectomy&oq=angelina+jolie+dou&gs_l=img.1.0.0l10.4684.9968.0.12668.18.16.0.2.2.1.304.2415.4j6j5j1.16.0....0...1ac.1.27.img..6.12.1194.TFYLwO-WOgo#hl=en&q=patrick+stump+pyjamas&tbm=isch&imgdii=_

https://www.google.com.au/search?hl=en&site=imghp&tbm=isch&source=hp&biw=1241&bih=584&q=angelina+jolie+double+mastectomy&oq=angelina+jolie+dou&gs_l=img.1.0.0l10.4684.9968.0.12668.18.16.0.2.2.1.304.2415.4j6j5j1.16.0....0...1ac.1.27.img..6.12.1194.TFYLwO-WOgo#hl=en&q=angelina+jolie+double+mastectomy+social+media&spell=1&tbm=isch&facrc=_&imgdii=_&imgrc=PtmB84QXuceD-M%3A%3BDvqGnlIX1FoPKM%3Bhttp%253A%252F%252Fguardianlv.com%252Fwp-content%252Fuploads%252F2013%252F05%252FAngelina-Jolie-e1369610521285.jpg%3Bhttp%253A%252F%252Fguardianlv.com%252F2013%252F05%252Fangelina-jolie-aunt-dies-weeks-after-her-double-mastectomy%252F%3B450%3B253

Tuesday, 10 September 2013

i want to be a female, but wait, can i?



In our tutorials, we were split off into groups to come up with a new game idea which does not follow the typical ‘damsel in distress’ theme. We came up with a game which can be single player or multi player. The theme would be an adventure fantasy, where the objective is to seek revenge after the death of their parents. The game is set up where the avatar can be a selection of the players choice, either male or female. Like Colby et al (2013) stated, ‘Avatars act both as figurative representations of the audience and as literal functions of the game’s program’ (Colby et al 2013, p.35). So we needed to provide choice for the players to cater for all types of audiences. Raessens (2005) domains of participation were relevant in the process of game planning. The first point to consider was ‘interpretation’. We wanted the audience to have the same interpretation of the game’s objectives and themes, so we kept it simple to make it easier to understand. The interpretation we intended was that the game was about the character seeking revenge from the murder of their parents. The next point to consider was reconfiguration. Reconfiguration is where the player is ‘making strategic choices about alternative paths and, in the case of adventure games, alternative actions’ (Raessens 2005, p.380). Since our game is solely about revenge, we did not consider the option of having alternate pathways to take because the objective at the end is to seek the revenge. So to have alternate pathways could be potentially problematic. The last point to consider was ‘construction’. Construction is understood as ‘the addition of new game elements’ (Raessens 2005, p.381). So basically, the player can hack and add elements into the game as they please. Our group did not consider this at all. I personally think that it is a negative thing on many levels. Not only does it take away the game’s creator’s original ideas, but since our game is a game about revenge, problems of extreme violence could arise. Personally, when I play a game, I don’t ever think about changing adding my own elements. I am focused on defeating all the objectives already existing in the game. Also, having the ability to choose the gender of my avatar makes me feel like I have more control of my playing experience. I have many games at home that I can choose the sex of my avatar. Games such as Medal of Honour, the Sims, and Pokemon allow me to be just as powerful, even more powerful than a male character. Being able to have the choice would appeal to many female gamers and could possibly increase the number of female gamers. Come on ladies, lets join in!



Colby et al 2013, ‘Rhetoric/ Composition/Play through Video Games: Reshaping Theory and Practice of Writing, Palgrave Macmillan, retrieved 10 September 2013, http://reader.eblib.com.au.ezproxy-m.deakin.edu.au/(S(kcn3njgf5ojncplhldw4s5i0))/Reader.aspx?p=1161372&o=154&u=Y6MUu2SE1v4X3uAKK2QSQA%3d%3d&t=1378803785&h=66DBE4D2B5FF8A67BB9A4E4D7AEA12E434678BDF&s=9929041&ut=484&pg=1&r=img&c=-1&pat=n


Anonymous Blogging, really??



After reading the article by Richards and Kosmala (2013), I couldn’t help but raise many questions about surveillance. In case you do not know the background of the article, the article talks about how workers are cynical about what they do at work and how using blogs can make the worker feel like they have some sort of control and distance away from corporate initiatives. An online community was created for employees to be able to post their thoughts and feelings anonymously without being in risk of getting into trouble.  Yes, the workers are able to present themselves and be included into the public sphere, which provided in a definition ‘represents the free flow of public discussion and exchange of views that is seen, in particular, as fundamental to the legitimacy of democratic systems’ (Gunter 2009, p.128). So, allowing workers to be able to speak freely in the public sphere is refreshing and comforting?  Well, an anonymous blogger in Richards and Kosmala’s (2013) article said ‘the only way you can do anything is by anonymous blogging (fat lot of good that does!) and by whistleblowing (bye-bye career)’ (Richards and Kosmala 2013, p.74). Definitely a fat lot of good... What’s the point blogging and trying to make a difference when no one knows who you are? Your own workmate could be posting on your blog and you wouldn’t know! And this person knows that if they ever reveal their identity, they would lose their job. But, maybe someone can find your identity. Is your identity really secret? There are so many stories where employers have found their employees on social networking sites, so what stops them from potentially finding their employees publishing anonymous blogs? I understand that publishing the blogs may be a sense of relief for employees, but think carefully! I have never and would never even think about posting something, even anonymously online about my work. You never know who is watching, who is following and who may recognise you. Your online identity is never truly hidden. Remember that…

Richards, J., and Kosmala, K., 2013 ‘In the end, you can only slag people off for so long’: employee cynicism through work blogging’, New Technology, Work and Employment, vol. 28, no. 1, pp. 68 – 77.

Monday, 9 September 2013

Prosumer, say what?

Until reading Ritzer’s (2010) reading, I did not realise that I am both a producer and consumer. So, basically, I’m a ‘Prosumer’. A prosumer, in a professional sense ‘involves both production and consumption rather than focusing on either one (production) or the other (consumption)’ (Ritzer 2010, p.14). after giving this deep thought, I realised that I have been a prosumer more often than I originally thought. There are so many different types of websites and apps that I have used that allowed me to be both a producer and consumer. One example which I suddenly remembered was my love for Converse shoes. I wanted to design my own pair so I used the website every few months to look at new designs and options available. Another website which I have tried before was to personalise your own onesie pyjama. 


You can literally design the onesie however you want, from hoods, to feet, to things like ipod pockets, ears and tails!

 According to Arakji (2007), ‘traditionally, firms design new goods and produce and distribute them. Consumers, on the other hand, are supposed to maximize their utility by buying these products, subject to a budget constraint, without directly taking part in the design, production, or distribution process’ (Arakji 2007, p.196). Since researching and critically thinking about this, I know that this statement is not entirely true. We are involved in the production process more commonly than we think! Come to think of it, a new example came into my head as I was typing. BLOGGING! As students and users of the internet, we are prosumers as bloggers. We write our own blogs, using our own thoughts and ideas, as well as doing research to add depth into our blogs, and similarly, we read other peoples works and learn from their blogs to further assist us with our own blogging skills. So to conclude, we are all prosumers in this world, whether we like it or not! (I personally do not think it is all that bad, but feel free to disagree).

Arakji, R and Lang KR 2007, ‘Digital Consumer Networks and Producer--Consumer Collaboration: Innovation and Product Development in the Video Game Industry’, Journal of Management Information Systems, vol. 24, no.2, retrieved 10 September 2013, http://ehis.ebscohost.com/ehost/pdfviewer/pdfviewer?sid=6c3aa3f9-d282-41bb-9526-78783936d6dd%40sessionmgr15&vid=2&hid=3


Ritzer, G and Jurgenson N 2010, ‘Production, Consumption, Prosumption:The nature of capitalism in the age of the digital ‘prosumer’’, Journal of Consumer Culture, vol.10, no.1, pp.13-36

Thursday, 15 August 2013

To Steal, or Not to Steal. That is the Question...


(Google Images)

Most people admit to downloading illegally. Who wouldn’t, right? I mean, it’s cheap or doesn’t cost a cent, its fast; you can share it with others in a split second… However, when it comes to my absolute favourite artists, I can’t help but purchase all of their merchandise, including posters, magazines, t-shirts, even CD’s. I love to think that I am contributing to their sales. When I purchase their soundtrack instead of downloading, I feel like I am being a true supporter of the band. I know that my money will help my favourite artists in funding for more merchandise, allow them to have money for touring. But most of all, so they can make a living like every other person. Just like in Martin and Salter’s (2010) article, we come to make a point that the music industry is ‘losing a lot of money due to file-sharing’ Martin and Salter 2010, p.1). Reading this, I completely understand and agree. I don’t know how people don’t have any guilt when downloading it has become second nature to just go on the internet and find the best download for a song. Forget about iTunes purchases, CD’s are stacked to the brim on the shelves, and CD shops are closing down. All of these points closely relate to Martin and Salter’s (2010) interpretation struggles. Interpretation struggles also questions whether the industry is even needed anymore. Since more and more people turn to downloading is it even worth having the industry involved? By the industry arguing against file-sharing, it may help people realise that there are many alternatives and the industry will lose business. In Hinduja’s (2005), an argument was pointed out that ‘the music industry has held and unfair monopoly over the music market and has maintained an inflated price for CD’s’ (Hinduja 2010, p.18). No wonder why people won’t buy their music anymore. Wen you can get it for free, why pay money for it? No matter how many illegal downloading sites are shut down, there are plenty ore out there which are still causing damage to the music industry. Even still, more are possibly being created as I type.